Jammin’ James Riley bioThe term “old soul” has been used more often than not to describe James Riley. His mom’s Elvis albums and movies like American Graffiti and Buddy Holly Story helped shape his musical tastes as a kid growing up in Louisville, KY in the 70’s that continue to this day. Riley got a BA degree in Communication Arts at Georgetown College in Georgetown, KY where he took an active role at WRV Gon campus. He’s been a fixture in the radio promotions scene since 1993having worked for a variety of Christian record companies such as Word, Provident, Inpop and R.E.X. Records and now co-owns Old Fashioned Radio Publicity to focus Ameripolitan, Americana, Blues, Surfand other roots radio formats.

    James hosted Rockabilly N Blues Radio Hour from early 2014 through early 2021 before reviving Catching A Wave in February 2021 (a show he hosted from September 2016-December 2017). In 2016, Riley was nominated for DJ Of The Year at the Ameripolitan Music Awards and again in 2017 when he won the award. People were constantly asking for him to bring Catching A Wave back and he finally jumped back on the surfboard to bring the best in surf/summer/beach tunes!

    His wife Beth has a weekly segment on the show called “Surf’s Up: Beth’s Beach Boys Break” where you can hear a deep track from America’s band. Plus, there are more segments like “Wheel Of Fun, Fun, Fun”, Catching A Wave Time Machine and the Jammin’ James Jukebox selection/trivia of the week. He married his best friend, Beth Riley, in May 2020 and they work together on both the radio promotions side of things as well as a podcast and radio shows. Beth also hosts her own syndicated show called Boppin’ With Beth which she started September 2020!For more information, check out www.catchingawaveradio.blogspot.comJames Riley [email protected]


    Stuart is married with a grown-up son and daughter; he lives in East Sussex just outside of Hastings. His radio career began in 1976 in hospital radio for the Woolwich Hospitals Broadcasting Service. In the same year he went to work, as a studio assistant, for BBC Medway, now called BBC Kent.

    In 1979 he joined P&O Cruises as an Entertainment Officer/Disc Jockey, on board SS Oriana and SS Canberra. Whilst overseas, he was offered freelance work in Gibraltar for the British Forces Broadcasting Service. He took up their offer and made regular visits to cover for holidays on the late show.

    In 1983 he took up the full-time post of Breakfast Show Presenter with the Commercial Radio Station for Ipswich, called Radio Orwell, now called Heart.

    At the end of his contract with Orwell, he was offered a full-time freelance position with Radio Wyvern and Radio Tees. BFBS also offered him the role of Presenter/Producer, which would be a staff post, so in 1985 he joined their biggest radio station BFBS Germany, first in the regional studios of Berlin, then in Cologne, as the Network Breakfast Show Presenter with a daily audience of 10 million listeners.

    After leaving Germany Stuart travelled with BFBS to Gibraltar, Belize, Hong Kong, Paderborn Germany, Brunei, London, Bosnia and Catterick.

    During his twelve years with BFBS Stuart held many positions, such as, Presenter, Senior Producer, Music Director, Station Manager, Head of Presentation and Deputy Controller Worldwide Programming BFBS London.

    Stuart left BFBS in 1997 as he was very unhappy with the way radio had changed to a computerised music scheduling format with no opportunity to have any musical input in to his show. Stuart went on to work for KFM Tonbridge, European Klassic Rock via Satellite, Sovereign Radio Eastbourne and BBC World Service in Network Operations.

    Stuart has also been seen on many tv programmes and films over the years as a walk on. he has appeared in The Bill, EastEnders, Holby, Star Wars, Jack & the Beanstalk and many others.

    Over the last few years Stuart has again been involved in radio, more behind the scenes with various internet radio companies.

    But now he is really looking forward to getting back to his first love, presenting.

    Stuart said “I can’t wait to start broadcasting, picking my own music again and formatting the show, just like radio used to be. It’s going to be great” You can find out how ‘The Golden Jukebox’ project came to be by visiting his website


    Presents Covers each week featuring songs that were hits by other artists and also a monthly Doo Wop program of the best vocal harmony from the 1950’s and early 1960’s. 

    Elaine’s entire career revolves around the magazine publishing industry.  Among other companies, she worked for Billboard in the late 1970’s.  She lives in Connecticut, USA and says,  “I love my Kindle, love my cat Birdie and miss the pub in Yorkshire that gave me Black Sheep Ale coasters.  I’m all out and I need some more.”


    I started on a local FM station and it soon became apparent that other stations were sometimes short of presenters. So rather than just have a faceless automated string of songs, idents and jingles, I started offering shows to “fill in”

    Since then, many stations have found permanent slots for them, others have used them to get over a difficult period, and now replaced them with live presenters.
    Whatever, they’re here if you want to try, and if you’re a pro station, why not ask about shows just for your station. I can do live too.

    Here’s what one my devoted (yeah right!) stations, Ace FM in Spain had to say!!!

    Gary started his DJ career back in the days when half a dozen singles from Saturday Night Fever were guaranteed to fill the dance floor. Hospital radio beckoned in the early 1990s and he now finds himself on a Spanish station, surprised that it’s the English speaking population that listens, having always thought the most suitable audience would be those who hadn’t a clue what he was on about.

    He fell in love with beat music in the 60s, and in 1997 he was approached by The Searchers to publish their official website which he does to this day. 

    The Gary Jackson Show is packed with special features – not for the audience’s benefit, but because at his age just staying awake for two hours is tough enough, and every little helps!

    Geoff Dorsett

    Geoff started his career at the age of 13 and within five years was one of the Mecca Group’s top DJs, being used as their opening act for their new venue’s nationwide. During the ’60s when package tours were at the height of their popularity, Geoff could be found compering shows with Animals, Kinks, Spencer Davis, Roy Orbison, Chuck Berry, and MC’d for the second-ever Led Zeppelin show.

    Come the late ’60s, Geoff was on the radio with the BBC Radio and in 1974 became one of Radio Hallam’s first voices when the station launched, being the new commercial station for Sheffield. In the ’70s, Geoff also worked on Q102 in Florida, USA and KZUN in Dallas. In the ’80s, you’d have heard him on the legendary pirate radio station, Sunshine Radio.

    Steve James

    I live just north of London, UK and am a lifelong musician having picked up the guitar at 12 years old. I love all genre of music and have played in many different types of bands from blues to dance to jazz to folk. Still playing in bands and love every minute of it. I have a special love of the Blues and sharing that love with you on the radio is a real privilege. My love of all music comes across in my show at the ‘Joker in the Pack’ feature where I play a tune that is not necessarily Blues but one I really love. 

    The Blues Café is my venture into Radio …

    Dave The Rave – Relics and Rarities

    Dave Kapulsky has a room in his Freehold Township home that is lined with shelves filled with 45 rpm records. In fact, Kapulsky said, he has about *35,000 45’s and an additional 12,000 albums that he stores at his mother’s house in New Brunswick, where he grew up.

    A disc jockey, he goes by the moniker Dave the Rave and carries about 2,000 titles with him to a radio station in Howell each Saturday night when he does his Relics and Rarities program. From 8 p.m. to 1 a.m. on WPDQ-FM (89.7), he plays well-known songs and rarities that he says never got the play they deserved. In addition, he takes calls from listeners, many of whom ask him to play a song they may have heard once years ago and remembered.

    “Every week I pull out 25 to 30 45’s that have never been played before to play on my show. But there’s literally thousands that I want to play,” he said.

    Dave the Rave said his show is very popular.

    “I have some hard-core followers because I play songs that are not played by other disc jockeys. I get a lot of calls from Freehold, Howell and the Jackson area,” he said.

    After the show ends, the discussion often continues at the Golden Bell diner, Freehold Township, where Dave and some of his listeners meet to talk well into the early morning hours.

    His is mainly a 1960s show. He plays doo-wop, soul, surf music, garage bands and the sounds of the British invasion, he said.

    “One of the things that is important to note about the show is that it not only features the big hits that we can all relate to and sing along to, but it also features the regional one-hit wonders or records that never made it,” he said.

    Kapulsky’s first 45 that started his collection was “A Wonderful Dream” by the Majors on the Imperial label. This first 45 was acquired by winning a dance contest at the YMHA in Highland Park, NJ.

    Shortly after that, his father gave him his first Beatles record.

    “I was a big fan of the Beatles, and my father bought me Meet the Beatles, their first domestically released album,” he said.

    But neither record is the oldest in his collection. The oldest record is a 1953 release called “Gee” by the Crows. But that is not an original, he said. The oldest original recording is “Rock Around the Clock,” by Bill Haley and the Comets, released in 1954.

    “I call my oldies ‘Relics and Rarities’ because most of them are not big hits, but they sound like they should have been,” he explained, adding that someone recently dubbed him the “king of obscure records that sound great.”

    Kapulsky’s interest in music and musicians led him to work at radio stations during high school and college.

    “When I was a kid, I was the coffee boy and used to file records at WCTC-AM in New Brunswick. I had so much fun up there. Instead of paying me, they would say take some records and they would give me magazines.

    “WCTC had a ’60s rock and roll show. I was the fan club president for the Friday night disc jockey, Larry Harmon. Harmon was also the music director at a larger radio station, WWRL, that catered to a black audience. He introduced me to a lot of black soul music,” Kapulsky said.

    That led him to an abiding passion for collecting albums by musicians who never made it onto mainstream radio. But he doesn’t collect just to have the biggest collection of rare records. His passion is broader than that; it includes sharing what he knows and what he has with his listeners.

    Perhaps more importantly, it includes the desire to give the black musicians who were not able to popularize their music the air time that Kapulsky believes they should have enjoyed many years ago.

    “So many people made great records and never got air time,” he said. “Black musicians’ songs would come out and someone would say, ‘That’s a great record; let’s get a white group to do it.’ The Rascals’ hit “Good Lovin’ ” was originally done by a black group called the Olym-pics.”

    The black groups’ only exposure was on small, black-owned radio stations, he said.

    Kapulsky became aware of that fact at a very young age and wrote a letter to the editor of a New Brunswick daily newspaper that was published.

    “Otis Redding had just died in an airplane crash. I was upset because Redding had such a hard time getting air time on mainstream white radio. I eulogized Redding, calling him the King of Soul. After he died, his song ‘Dock of the Bay’ finally got airplay and was a No. 1 record,” he said.

    Kapulsky said he sees the history of the civil rights movement reflected in black music.

    “Many people loved what was considered black music. It brought people together,” he said, adding, “I get emotional when I think about the black artists that were excluded. There was an element that did not want black musicians on radio stations.”

    But that is not to say his passion is for black groups only. He loves the Beatles and Bruce Springsteen, too. In fact, in 1989 Rolling Stone magazine profiled him and his passion for “The Boss.” He has a framed copy of the article on the wall in his family room along with gold and platinum records and other Springsteen collectibles.

    Kapulsky went to Trenton State College, Ewing, (now The College of New Jersey). On his first day there he went to the college radio station and offered his services under his new radio name, Dave Richards. After graduating with a political science degree, he signed up for a graduate class at Rutgers University so that he would be eligible to work at the Rutgers radio station where he called himself Davo.

    Five years ago while cruising down Route 33 in his 1961 Corvette listening to an oldies station, he saw a billboard advertising another oldies station, WPDQ in Howell. He called the station managers and they hired him. That’s when he metamorphosed into Dave the Rave.

    Kapulsky and his wife, Kerri, have two children, Brittany, 14, and Jack, 8, who, his father said, is a frequent caller to the radio station.

    “He calls and asks me when am I coming home. Sometimes he requests a song,” Kapulsky said.

    An independent Prudential insurance agent, Kapulsky works out of his home in Freehold Township where he has lived for eight years. He keeps his collection under lock and key in a second floor room.

    He explained that many of the albums that he owns, he also has on CDs.

    “People ask me why buy records when you have it on a CD? Sometimes records can be expensive, but I tell them that holding the original record gives me an historical context,” he said. “I can imagine the kid who owned it at one time. It’s like the difference between owning a reproduction of a work of art, or the real thing.”

    Kapulsky pulled a 45 from his vast collection. He knew exactly where to find it.

    “I bought a collection of 45’s from a guy who worked as a producer for Dick Clark’s American Bandstand. In the bunch was a 45 called “Slow Strip” by the Mega-tons. It was dropped off at Clark’s show with a note handwritten on the sleeve from Robert Ligotino, who lived in Spotswood at the time. He was asking Clark to play his record.

    “It has now found a home in my ‘relics and rarities’ vault,” he joked. “But seriously, I would love to hear from a musician whose record I played, saying that I made his day.”

    Kapulsky conducts his radio show the way shows were done in the 1960s by popular personalities like WABC-AM’s “Cousin Brucie” Morrow.

    Morrow wrote a book that was published in 1987 called Cousin Brucie: My Life in Rock ’n’ Roll Radio. At the end, he asks, “Is radio anybody’s friend anymore?” He was still hopeful at the time and answered yes, as long as there are personalities like Springsteen who love rock and roll. But it has to be tended, he said.

    Dave the Rave Kapulsky is trying to do that, tend the FM airwaves for rockers and rollers. Many of them are the grown-up baby boomers who came of age along with rock and roll. His show may be local, but it exposes people from Barnegat to Millstone Township, from Hightstown to the Jersey Shore, to records that they didn’t know existed.

    “There are people out there who actually have the same passion. We feed each other,” he said. He added, with a hint of self-consciousness, “You’ll probably think I’m crazy, but I worry about what will happen when I pass away. I hope my kids will maintain my collection and make it available.”